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New Arrival from PRS Guitars! A Stunning 10 Top Faded Blue Jean McCarty 594.
What’s not to LOVE about this one…and just 7b 4.9 oz!! as well as the NEW PRS PICKUPS McCarty III.
That’s right, they haven’t even officially been released, but here we have them on this Guitar!!!!
Unique and Awesome Maple Top, with a ton of MOJO and Character!! Just look at the topography markings on this top in some of the pictures, but they disappear behind the amazing Flame Maple Top.
Not to forget the New PRS Case is amazing! Birds on the exterior of this plastic clam style case, with embroidered 12th Fret Bird on the interior..
Don’t Hesitate, This one should not Last very Long!
Vintage Heart with Modern Playability
The McCarty 594 is a versatile, vintage-inspired instrument that is effortlessly playable. Featuring a bound 22-fret Pattern Vintage neck and slightly thicker back for more enhanced tone and sustain, the McCarty 594 plays in tune, is intonated the entire length of the neck, and feels like a guitar you’ve been playing forever. Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single-coil sounds, the McCarty 594 can seamlessly master both sonic territories thanks to its NEW McCarty III pickups, which have now been through the TCI (tuned capacitance and inductance) process, and dual volume and push/pull tone controls. A zinc two-piece bridge and vintage-style tuners anchor this guitar and stay true to the promise of the McCarty family.
“One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as his own experiences as a guitar builder.
SPECIFICATIONS BODY
Top Wood Carved Figured Maple
Back Wood Mahogany
NECK
Number of Frets 22
Scale Length 24.594”
Neck Wood Mahogany
Neck Shape Pattern Vintage
Fretboard Wood Rosewood w/ Faux Bone Binding
Fretboard Inlay Birds
HARDWARE
Bridge PRS Two-Piece
Tuners Vintage-Style
Hardware Type Nickle
Strings 10’s
ELECTRONICS
Treble Pickup McCarty III
Bass Pickup McCarty III
Controls Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Switch on Upper Bout