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Gibson ES-135 1992 - Vintage Sunburst - Best Guitar Site Online
Categories: Paul Reed Smith

Gibson ES-135 1992 – Vintage Sunburst

⚡️1992 Gibson ES135 USA⚡️. introduced in 1958, the Gibson ES135 is a Semi Hollow, equipped with a central block and two Gibson P100 pickups, two volumes, two tones, and a body slightly deeper than an ES335 without being as wide as a 175 It is therefore easy to handle, its limited size while preserving acoustic resonance.

This example was manufactured in the USA in 1992, a period recognized for the quality of its production. It has a very pleasant thin neck, rosewood fingerboard, maple/birch/maple body, three-piece maple neck for optimal resistance.
It has some characteristic marks and cracks on its nitro varnish but is perfectly sound and very pleasant to play with ideal neck angle, frets in excellent condition, and a perfectly functional set.

A very nice alternative to the ES335 that can range from jazz, blues to rock, even quite edgy!

Sold in a non-original but perfectly adapted case.

⚡️1992 Gibson ES135 USA⚡️. introduite en 1958, la Gibson ES135 est une Semi Hollow, équipée donc d’un bloc central et de deux micros Gibson P100, deux volumes, deux tones, et une caisse légèrement plus profonde qu’une ES335 sans être aussi large qu’une 175. La prise en main est donc aisée, son encombrement limité détour en préservant une résonance acoustique.

Cet exemplaire a été fabriqué aux USA en 1992, période reconnue pour la qualité de sa production.

Elle est dotée d’un manche fin très agréable, touche palissandre, caisse en érable/bouleau/erable, manche érable trois pièces pour une résistance optimale.

Elle possède quelques traces et craquelures caractéristiques sur son verni nitro mais est parfaitement saine et très agréable à jouer avec un renversement de manche idéal, des frettes en excellent état, et un ensemble parfaitement fonctionnel .

Une très belle alternative au ES335 pouvant aller du jazz, blues au rock même assez énervé !
Vendue en étui non d’origine mais parfaitement adapté .

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