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A gorgeous, sweet-toned homage to the much more expensive “New Yorker” so popular with 60’s folk musicians. (You can see the Joan Baez character playing a blinged-out one in A Complete Unknown). It feels great to hold and sounds plenty loud enough to hold its own with larger guitars. The cedar top’s characteristic warmth and crisp high end are balanced by sapele’s focused midrange for a balanced, versatile voice. A concentric ring rosette with intricate wood marquetry provides an elegant aesthetic touch.
The mahogany neck and rosewood fingerboard are smooth and easy-playing. Dot-in-dot position markers. A bone nut and split saddle bridge provide exceptional intonation. The (a bit too flashy? I’ve grown to love them.) gold tuners turn smoothly and hold pitch reliably.
It comes with Takamine’s CT4B II preamp system with a three-band EQ that gives control over the midrange, treble and bass. Also has an easy to read onboard tuner.
The original hardshell case is in excellent condition and contains the original case candy from when the owner before me bought it from Sweetwater.
It’s in excellent condition and fresh off an action-lowering setup by my local luthier. The only things that keep me from calling it “mint” are that the finish has started to be a little shiny in the area below the soundhole where I rest my little finger and sometimes my palm, and there are a few teeny tiny micro dents in the same area–seemingly from my little fingernail. I tried to show them in one of the pictures, but they don’t show up well at all.
I’m selling it because I limit myself to owning 3 guitars at a time and I want an OM to go along with my custom-made parlor and my Gibson J-50.
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